Imhotep’s Secret
Imhotep is the designer of the very first pyramid. He was
also a master of medicine. A great public official. High priest. Arguably, the
very best of the ancient world.
Still the question we all want answered is just how they
made the pyramids. Whatever your pet theory, surely at the heart of it, it still
settles into mystery. Unknown, and unknowable. At least, in conventional
technical scientific terms.
It may be the stuff of the kind of higher knowledge the
ancients took with them to their graves. Or, to wherever a civilization goes
when their development and technology enable them to exercise the option to transcend
this dimensional world.
Some insight from Nisargadatta Maharaj: The world had all the time to get better, yet it did not.
What hope is there for the future? Of course, there have been and will be
periods of harmony and peace, when sattva was in ascendence, but things get
destroyed by their own perfection. A perfect society is necessarily static and,
therefore, it stagnates and decays. From the summit all roads lead downwards.
Societies are like people — they are born, they grow to some point of relative
perfection and then decay and die.
As you contemplate that sculpture of a seated Imhotep,
surely it becomes apparent the great man himself embodied the very core
principles to which the enduring pyramids stand in mute testament. Write your
own words. It will be a list of the very best of human aspirations and virtues.
And, a long one.
Imhotep. There’s more to it. A rare story. A secret.
Something so startling and fantastic you will think it is made up. So that you
don’t lose sleep over it, or unnecessarily trouble yourself wondering about the
implications of such things … yes, let’s say it is just a story.
So the story goes.
Inside that very first pyramid of Imhotep dated to the 27th
Century BC is a secret room. Until recently, the very existence of such a room was
itself a secret.
Inside that room is a single object. One solid piece of Lapis
Lazuli. And, of only the purest form and quality. As blue as the midnight sky.
Only without even a speck of sparkling golden Pyrite. Amazing for any sized
specimen, only this one measuring 3 meters along its length.
It could be described as approximating the attenuated shape
of the human form. A perfectly rounded base, graduating to a slender pillar
suggesting of legs, then a torso, and a perfectly round head. Three meters, and
carved in its entirety with unique glyphs which have no correlates to any known
forms of writing.
Each inscribed glyph is inlaid flush to the stone with pure gold and
surrounded by an inlaid gold rectangle. All of it perfectly smooth to the
surface of the stone itself.
At the very top of the head and the very bottom of
the round base, 16 glyphs are arranged into circular pie wedges.
There is some conjecture the glyphs may represent the known range of human postures. Sort of a graphic statement of human physical motive potential. Perhaps. But, now, only for someone to decode the information.
The room — a sealed
vault, really — which guards this immeasurably precious object is itself
completely inaccessible. There's no passageway leading to a sealed entrance. Nothing.
Not even a tiny portal(s) for viewing. We can imagine they needed a way in to construct the thing in the first place. How come, there's no way out? A mystery compounded in more mystery. Unknowable. For now, anyway.
That chamber is measured symmetrical to surround the Lapis
figure with 3 meters of clearance at the top, and at all four sides. If there were
a chance to look inside and bring light into that eternally dark space, the
walls are as smooth and reflective as mirrors, the dimensions of the room
proportioned perfectly to view every part of that Lapis and gold monolith from
any angle and position in the room.
Those walls, as are the ceiling above and floor beneath,
lined entirely of the purest jade. Transparent as glass, deeply green and
mirror smooth. In squares exactly 10 centimeters to the side, and 1 millimeter
thick. Each set and backed with gold surrounds. All flush to a glass-like
precision.
The rational mind must by now be asking … why? For what
purpose? This particular room with its content presents an enigma even more
inscrutable than the pyramid form itself in which it is encased.
One supposes the speculation and implications about this mystery and its meaning would be as varied as is human motivation. Archaeologists would salivate over the prospect of such a career making discovery. Museum curators or collectors of antiquities would be covetous. The more crass pecuniary types would see a once in a lifetime pay day. The vain, jewelry. The merely curious, a sight seeing side trip. The mystic — the True Mystic, anyway — might hear of it and turn back inward and not give it another thought. The artist, certainly a wealth of inspiration. The designer and engineer would smile in simple recognition of the central tenet of all sound construction: Balance in obvious observance of the dictates of the Law of Gravity.
The decision to seal that chamber must've taken into account such human factors. For the truly insightful, the fact that it is forever sealed in itself communicates everything. As they say, this is one bone buried deep so the dogs won't get at it.
Truth be told, and most amazing of all, that perfect figure stands balanced at only
the precise center of its vertical axis. Stop and contemplate that. It stands, literally, on a dime! Even, if that. Moving, if at all, perhaps only in sub-microscopic
variances in harmony with the movements of the Earth.
Nothing for support save the exquisite symmetrical and level
proportions of its own composition. Even the density of the ground substance Lapis
Lazuli must be homogeneous to ensure such perfect equipoise. To say nothing of
the incalculable logarithmic calculus encoded into those glyphs; what with the
thousands of them each uniquely different, and with each a different portion of gem substance excised, along with the corresponding, and also unique weights of the gold
fills. One can only now imagine how such infinitesimal precision could only be possible
in such a completely sealed environment; the least hint of air flow — maybe even a glimmer of light — would insult the ineffable grace and ease.
And, of course, the
ponderous stability of the pyramid itself. Words fail. Stand next to it. And,
know.
So here we have the
secret to the pyramid itself? Or, a clue. Somewhere in its core, supposedly at
its very center of its core, this minutely balanced figure … holding everything
in place. So fragile a thing, really. Yet, perhaps also so strong. Powerful
enough even, maybe to hold the Universe together.
So it goes.
